This Uruguayan guitarist by way of NYC wants you to take the mic and espouse your love of fruits. Get comfortable, cause this might take a while.
Aaron “Ab” Abernathy is a singer, a music director, an activist, a man of faith, and, most importantly, a man trying to do and BE his best. His journey towards this end chronicled on 2016’s Monologue and 2017’s Dialogue, now comes to its conclusion on his latest album Epilogue. Bursting with soul, raw emotion, and honest truth Epilogue tells the tale of two people finding love despite years of heartache through self-reflection, honesty, and kindness.
Join us as we dig into this instant classic on the latest episode of Discologist!
On the inaugural edition of Discologist, we’re hanging out in the basement one last time with our friend Aaron Abernathy to discus his remarkable, trilogy-capping new album Epilogue, love, faith in the modern era and much, much more.
Change is good friends.
RIP ChunkyGlasses: The Podcast.
Long live DISCOLOGIST!
Hot off the release of the genre-bending Amo, the former metalcore mainstays brought on moshing, walls of death, and raving, all in one raucous performance.
The business partners are back on the road, and like any well-run business, they’ve streamlined operations and achieved maximum output and profit.
Some would argue A$AP Rocky has put music on the backburner in favor of other creative ventures such as fashion, acting, and an art exhibition. But at a sold-out Anthem, A$AP Rocky reminded the crowd of his biggest strength - putting on the show of a lifetime.
The Wood Brothers are native to the foothills of the Rockies, and their sound was perfectly nestled among the mountains at the Telluride Bluegrass Festival last summer. But even at sea level, their show at 9:30 Club on a snowy Thursday night lifted an attentive audience’s spirits to 8,000 feet.
We’ve run our mouths from a basement in Washington, D.C. for four hundred episodes now, but sadly it is time to say goodbye.
Please join us for a bittersweet final hang in the basement with the people that we hold most dear saying goodbye to this chapter the only way we know how: Talking about Boston’s Third Stage.
Thanks for listening. Y’all are the goddamn best.
For many, the music of Steely Dan is an enigma. For us…it’s our lifeblood.
On our penultimate broadcast from a basement in Washington, D.C., Dead To Me’s Casey Rae and Eduardo Nunes are sitting in to fulfill a promise that Kevin made long ago, and turning up the nerd to nigh impossible levels in the process. Any major dude will tell you that whether you’re a super-fan or just Steely Dan curious, this episode is probably your destiny.
It sure as hell was ours.
Washington, D.C. has been our home for over a decade now, but our time here is rapidly coming to a close. In one of our final broadcasts from our nation’s capital, Kevin sits down with Lindsay Hogan (Music Journalist/DIY maven) and Paul Vodra (Hometown Sounds) to talk about some of the music that moved us in 2018, how we got to this point, and where we’re going from here.
2018 was a wild ride, and on one of our final broadcasts from Washington, D.C. we’re celebrating the music that moved us the most.
Hearing Colter Wall’s voice--described as “Johnny Cash’s [voice] in the morning” — coming out of his wirey, 23-year old frame is surprising and exhilarating the first time you hear it. The road-weary tone and rustic storytelling on his most recent album Songs of the Plains are also remarkable given the current state of popular country music. Colter Wall’s sound is a throwback that has launched him into a constellation of contemporary country artists (Jason Isbell, Sturgill Simpson, and Chris Stapleton) linked by the producer of Wall’s first two full-length records, Dave Cobb. Cobb has said that his work is driven by unique voices that can carry a story. At Colter’s 9:30 Club his voice was clearly the main attraction.
Van Halen’s 5150 was a turning point for the legendary party rockers for more than one reason. The replacing of original front man David Lee Roth with rocker Sammy Hagar was what was driving headlines, but the real news was in the music. Revved up, radio-friendly, and raring to go, this “new” Van Halen supplemented often questionable machismo with synths, honest-to-god pop hooks, and, most radically: Feelings.
Washington Post Pop Critic Chris Richards and Broke Royals’ Philip Basnight are joining us as we reconsider one of the most divisive albums of Van Halen’s career, reveal it’s secrets, and more.
This, dear listener, is what dreams are made of.
On a cold Thursday night, The Ballroom Thieves warmed hearts with a lot of screaming and shouting...and some soft-spoken melodies, too. That’s their M.O. - rile them up. Calm them down. Simply put, take them all for a ride.
The Internet (the band, not the technology) has been building hype since its creation as an offshoot of influential rap group Odd Future in 2011. You don’t need to look any further than the fact that they’re playing two nights at The Fillmore in Silver Spring to understand that the hype is still real.
The first 30 minutes of Tom Krell’s set at Sleeping Village felt like being totally enveloped by The Anteroom. Krell, who performs as How to Dress Well, released the expansive Anteroom in October, and it was a significant departure from his previous two outings. Both Care — produced in part by in-demand producer Jack Antonoff — and 2014’s What is This Heart?, veered perhaps too far into pop territory, the former failing to reach the levels of Pitchfork Best New Music acclaim as Total Loss (2012) and Love Remains (2010). But all of Krell’s catalog helped inform The Anteroom, a return to the spare, industrial stylings of his experimental electronic early work.
Peter, Bjorn and John have always been able to display a unique spectrum of sensations that can elevate you from mellow to euphoric in a few chords, and that skill was on full display last Saturday during their show at Rock and Roll Hotel.
A cold Monday and a late start time didn’t stop a crowd of 500 strong from spending a crisp hour or so with the Scottish trio, who combine hip-hop and rap, tribal percussion, anthemic vocals, and warm synths for an intriguing, utterly danceable mix.
Packed in the middle of a living room in the Columbia Heights neighborhood of DC, chamber-pop band Cuddle Magic took the spirit of their recording process on a mini-tour of intimate proportions.