Hailing from Dallas, Texas, this group of rock and roll veterans (between them they've recorded and toured with the likes of St. Vincent, The Apples in Stereo, The War on Drugs, The Deathray Davies, Baboon, Daniel Johnston, and more) got together and decided to form "greatest band in the world. Maybe." and so it was that Motorcade was born. Armed with an ear for the past and a heart for writing great f@#@ing songs, Motorcade's debut defies expectations and is one of the best albums of 2018.
Luna Honey’s new album Peace Will Grind You Down, finds the the humanity in the darkness while Blood Orange’s Negro Swan serves as a guide on how to make it through it. We’re checking in with both on our latest feels-packed episode.
U2's finest hour wasn't lifting us up singing about MLK, a spiritual celebration of the history of American music, or even future pop from the edges of our imagination: It was an insistent, eccentric, and infinitely prescient project that almost wasn't, named Zooropa.
Over the past few years, Israel Nash has been building a solid catalog of cosmic folk and country from his home-base in Dripping Springs, Texas, and his, ahem, uplifting new LP Lifted is the latest product of his time in the proverbial desert. PLUS we’re sitting down with Joachim Cooder to talk about his latest EP, Fuschia Machu Picchu!
Erin Rae joins us in the basement to talk about her stellar sophomore release Putting On Airs PLUS our review of Lori McKenna’s stellar new album, The Tree.
The otherworldly jazz titan Kamasi Washington and his friends are back with a fittingly epic follow up his 2015 jazz odyssey The Epic, and the results are out of this world.
HYPE has always been a part of the music/entertainment industry, but in 2018, have we gone too far? Increasingly, it's not enough anymore that an artist delivers a few great hooks. To succeed they have to be the greatest of all time, the savior of the music industry, or, even worse, the voice of a generation, all often without even having a single album under their belts.
On our latest episode, our friends Philip Basnight (Broke Royals) and Rafa (Rafa's One Man Band, Saduardo's actual brother) are joining us for a frank discussion about how we consume, market, share, and celebrate music in the modern era.
Washington, DC's Flasher made minor waves with their self-titled debut in 2016, and now the trio is back with a new label (Domino) and a fun-as-hell new LP, Constant Image. Recalling the late 80's heyday of gothic synthpop, Constant Image's outta time, place, and, most importantly, outta sight sound is the new hotness arriving just in time to save us all from another dreary Summer in the swamp.
PLUS! Ali Shaheed Muhammad & Adrian Younge's long-gestating project The Midnight Hour is finally out in the wild, and we've got a tasty track for you to turn the lights down lowwww and do whatever comes naturally for ya.
On our latest podcast, soul/jazz polymath Kadhja Bonet is back with the follow up to her remarkable 2016 debut, The Visitor, and the more things have changed, the more they have stayed the same. Bursting with the uniquely impossible smoothness and impeccable sophistication that defined The Visitor, Childqueen is a singular that mood feels as fresh as it does timeless. Special guest Marcus J. Moore (Senior Editor, Bandcamp) joins us to journey through this latest weird and wonderful that Bonet has shared.
PLUS! Israel Nash is back with some potent good vibes, and we've got the first single of off his upcoming LP for you to get lost in!
Over the course of her almost twenty-five-year career, Neko Case has proven time and time again that she is a fierce force of nature to be reckoned with, which makes it a little weird to say that Hell-On is her most powerful work to date. Built on the literal ashes of a recent personal tragedy (her Vermont home/studio burned to the ground) and bursting with love over the joy found in even the darkest parts of our lives, Case's latest is a potent reminder of how deeply honest art can change the world, one listen at a time.
PLUS! Kingsley Flood is back with Neighbors & Strangers, there most poignant LP to date, and we're spinning a new single from it to help you fall in love with this raucous Boston/DC band all over again!
Barely a year after releasing his apocalyptic magnum opus Pure Comedy, Father John Misty (aka Josh Tillman) is back with another sonic journey into depravity. God's Favorite Customer finds the embattled monarch of the "poem zone" taking a break from battling the evils of modern times to engaging in bloody combat with his greatest enemy and nemesis: himself.
Special guests Lindsay Hogan (Talking LIke A Jerk) and Seán Barna join Kevin and Drew as we follow this modern day lizard king down the rabbit hole of his deepest insecurities and regrets to find out what's on the other side for one of this generation's most relentlessly talented (and relentlessly misunderstood) voices.
The soulful North Carolina by-way-of Wisconsin jack of all musical trades returns to the basement for a candid and hilarious chat with Kevin and Eduardo about his new LP, People Are My Drug.
Before, "indie-rock," before "alternative," there was "college rock" and four arty dudes from Athens, GA were its KINGS. On our latest episode, we're looking back at R.E.M.'s Murmur, one of the most influential "rock-and-roll" albums of all time, thirty-five years after it changed the music forever.
After finally finding their "voice" on The Real Thing, there was nowhere to go but up for Faith No More, which makes it all that more remarkable that an album like Angel Dust exists. Considered by many to be the weirdest album ever released on a major label, Angel Dust fused rap-ish, metal, grindcore, juvenilia, psychedelia, The Commodores - basically everything but the kitchen sink - into what many consider to be one of the defining masterworks of the 1990's.
We're putting that praise to the test as three Faith No More devotee's and Kevin dig deep into an album that thrashes, howls, croons, and, most importantly has the cajones to play a song called "Jizzlobber" straight. Strap in, on, or whatever you damn well please for our latest and greatest episode of ChunkyGlasses: The Podcast!
Sparkle Hard, Stephen Malkmus' seventh album with his band The Jicks, finds the indie-rock icon/god experimenting with a more "mainstream" palate, slinging some prerequisite Pavement vibes, and even recording one of the most political songs of his career. On our latest podcast, Kevin, Drew, and (Malkmus-superfan) Eduardo are dissecting the new LP to find out if Malkmus has still got "magic," or if his particular brand of indie-rock has seen it's better days.
PLUS! Whether they're from a far-away universe or somewhere deep within your mind (it is unclear, tbh), the Austin, Texas-based Golden Dawn Arkestra is inviting YOU along on their journey with the first single from their upcoming LP, Children Of The Sun!
Synth-rock provocateurs Stronger Sex have gone through several lineup changes over the past few years, but on their debut LP There Is No Stronger Sex the (now) duo of Johnny Fantastic and Leah Gage (both veterans of the DC DIY scene) have found their "final form," and the result is an electric and aggressively danceable album that is one of the most exciting releases of 2018. On our latest episode, Johnny Fantastic is joining Kevin in the basement for a frank discussion about the band's history, the importance of queer representation in the arts, dog-walker life, the value of personal identity, and the ultimate inevitability of Seán Barna.
Over the past fifty years and more than thirty-five albums and soundtracks, guitarist Ry Cooder has pushed boundaries, made history, and proved time and time again why many consider him to be one of the greatest musicians of all time.
On The Prodigal Son - his first album in five years - Cooder is going back to the crossroads to deliver a scathing (and often hilarious) indictment the times we're in through gospel and blues songs that have spoken to our condition for generations. Join Kevin, Eduardo and Drew as they dig into this remarkable artist's past, present, and what his legacy may mean for the future of music worldwide.
Living Colour is one of the most important bands in music history. On their third release Stain, the black rock innovators dug deep into the history of their culture, the dysfunction of America, and the sounds of underground rock and roll and came back with violent, high-volume exploration of love, hate, identity, and deep humanity that resonates maybe even stronger in 2018 then it did twenty-five years ago.
Join Kevin and Marcus along with special guest Timothy Anne Burnside as they work through this intense, complicated masterpiece, it's legacy, the questions AND answers it poses, much, much more.
Over twelve years and six albums, Wye Oak's Jenn Wasner and Andy Stack have proven time and again that their talents know no boundaries. Their new LP The Louder I Call, The Faster It Runs, finds the experimentation that the duo has been pursuing over the past few years - both within the constraints of Wye Oak and through various solo projects (Flock of Dimes, El Vey, Dungeonesse) - coalescing into a real evolution of the band that isn't just their strongest release to date, but one of the best albums of 2018. Join us as we try to suppress our fanaticism and explore what makes this record so singular, and such a milestone for one of indie rocks greatest bands.
PLUS! Phil Cook is BACK and here to help you through this life with the first track off of his upcoming LP, People Are My Drug.
On Golden Hour, Kacey Musgraves is dialing back the humor and turning up the heart to deliver what many are saying is her best work to date. Is this latest collection of genre-defying, lane-shifting "country" songs the future of Musgraves, or just a stepping stone on the way to something better? We've assembled a panel of Musgraves superfans to find out.
PLUS! Jazz Bassist songwriter Nicole Saphos is classing up the #DCMusic joint and we've got a taste of her groovin' new EP Buzz and Bloom to get you hip.