LCD Soundsystem

Best Of 2017: Mauricio's List

Best Of 2017: Mauricio's List

In the world of DC live music, there was a lot to write about in 2017. I.M.P. made its broad presence even broader with the 6,000-capacity Anthem. Songbyrd solidified its niche in the up-and-coming R&B/hip-hop scene with clutch bookings like Xavier Omar, Jamila Woods, and Noname (and booked its first show at The Fillmore, with more co-bookings to come). Competition in the 200-500-capacity space increased with new venues like Union Stage, Pearl Street Warehouse, and The Miracle Theatre. Mount Pleasant DIY venue OTHERFEELS hosted its first DMV music showcase at 9:30 Club, with a second coming in late December. There really is no shortage of opportunities to catch live music in our nation's capital.

I covered 47 shows and one three-day festival for ChunkyGlasses this year, and it’s been a wild ride covering shows in venues big (Capital One Arena) and small (Dew Drop Inn). While most of there were a lot of great shows, the following ten best showcase why the live music experience is so essential. These artists convey emotion and energy in a way that can’t be contained within the confines of an album. With these shows, it was hard to walk away without the lingering feeling of ‘holy shit, they REALLY put their heart and soul into it tonight.’

So with that, here are my ten favorite shows of 2017. Click the headers to see more pics and a full recap of that show.

PS - And if you're still interested in knowing what my favorite songs from this year were, here's my Spotify playlist - Mauricio's Favorite Fifty of 'Seventeen!  


LCD Soundsystem @ The Anthem - 10/17/2017

LCD Soundsystem @ The Anthem - 10/17/2017

LCD Soundsystem has become a part of the musical zeitgeist. One could gather as much based off their countless festival headlining spots, their sold-out Madison Square Garden “farewell,” and the amount of pages dedicated to James Murphy and company in the 2017 oral history book Meet Me In the Bathroom. The phrase ‘going out on top’ is a nice ideal for those that idolized the rock-meets-electronic outfit in the 2000s, but Murphy couldn’t help but come back to the thing he did best: make music. So here we are in 2017 with a new LCD Soundsystem album, American Dream. Murphy has now become an icon of sorts for the aging hipster population. (Even a T-shirt at the band's merch table alludes to this observation. Among other conversation-starting merch choices - a baby onesie that proclaims "I might be gay" in rainbow colors.) For this demographic, the excitement was understandably high at The Anthem, where the band kicked off their North American tour. After a long, anticipated wait (seven years have passed since their last DC-area show), LCD Soundsystem kept it as down-to-earth as the band has always done. Aside from the massive disco ball, of course.


Episode 303: American Dream - LCD Soundsystem

Episode 303: American Dream - LCD Soundsystem

In 2011 James Murphy brought an end to one of the biggest and best indie bands that have ever been. Now it's 2017 and LCD Soundsystem is back with a new album and bigger than ever. Live from the cat apartment, Kevin, Marcus, and Eduardo are taking on this American Dream to find out if it's the instant classic we all deserve, or just another non-essential comeback album from a band well past their prime.

PLUS! The New York Times is talking to women who rock, and Eduardo is spinning a new track from indie bossa nerds Mosquitos!


Museum of Love - "Monotronic"

Museum Of Love TRACK: "Monotronic" ALBUM: TBA   Official Site  |  Facebook  |  Twitter  |  Soundcloud

Museum Of Love
TRACK: "Monotronic"
ALBUM: TBA

Official Site | Facebook Twitter | Soundcloud

SOUNDS LIKE:
Electronic Bon Iver or Grizzly Bear

WHY YOU SHOULD CARE:
While James Murphy is laying low, his ex-bandmate Pat Mahoney is set to release a debut album on Murphy’s label.

It seems like everyone is keeping busy in the post-LCD camp these days. Murphy has Reflektor, Nancy Wang has guest spots on tracks by rising electro artists like Classix and The Juan MacLean, and Pat Mahoney, along with Juan MacLean member Dennis McNany, is rising up to explore his own side of electronic music. “Monotronic” is the first tease from Mahoney and McNany’s debut album as Museum of Love, showing more of a melodic side than was previously found on Mahoney’s contributions to LCD. Where Mahoney strides in melody, he lacks in substance as the beats supporting his musings on happiness fall short of the mark. If anything, “Monotronic” sounds like the build up on M83’s fairytale-esque “Raconte-Moi Une Histoire,” but fizzles out and fails to reach much of a conclusion.

“Monotronic” is out now as a digital single with the duo promising to release the debut album early next year.


REVIEW: LCD SOUNDSYSTEM - Shut Up And Play The Hits

For fans of LCD Soundsystem, James Murphy’s announcement in February of 2011 that LCD Soundsystem was calling it quits was like a bomb going off, an eight megaton buzzkill at a party that was just getting started. Later, the final shows were announced, and the faithful, or otherwise spectacle addicted, made their way by hook or by crook to THE final performance of the band at Madison Square Garden on April 2nd of that same year.

The film Shut Up And Play The Hits was meant to document that last night and its aftermath, giving a brief glimpse into the goings on onstage that evening, and in that capacity it succeeds wildly. Hits gives fans a candid peek into not just how LCD Soundsystem, as a band, interacted, but just how deeply their efforts touched the group’s fans. The footage that directors Will Lovelace and Dylan Southern captured that final night rebounds gleefully back and forth between the audience perspective, and that of a stage full of musicians undoing themselves. It’s a kinetic tour de force that manages to satisfy almost as much as the real thing and the filmmakers should be applauded for their efforts  Much like concert films heavyweights The Last Waltz, Tourfilm, or Rust Never Sleeps, it captures the essence of a band at the peak of its powers, and does so with an elegance that can only come from a true intimacy with the artist in question’s work.

Unfortunately Shut Up And Play The Hits is a documentary, not a concert film.


How To Say Goodbye - LCD Soundsystem's Final Show

 James Murphy...about to say goodybe to it all.

When I say I love this band I mean I love this BAND. Sure, James Murphy might be the driving creative force, but without this wonderful group of friends that he has assembled to perform his music, we wouldn’t be talking about any of this right now.

Taking the late 70’s/early 80’s New York art/rock/punk scene and throwing it into a blender with the dance/electronic sounds of a more modern New York wasn’t anything new. Acerbic wit with a “fuck you” attitude wasn’t anything new either. In fact, nothing that LCD Soundsystem did was technically new except for one thing:

How goddamn well they did it.


LCD responds to the ticket disaster....In other news James Murphy rules all our faces

http://lcdsoundsystem.com/main/archives/649

Posted on their website last night. Click on the link to go there or read on below.

 

"fuck you, scalpers. terminal 5 shows added.

holy shit


this here is just to say that we were more than taken aback and surprised about the speed of ticket sales for the april 2nd msg gig, as well as the effectiveness of scalper pieces of fucking shit at getting their hands on said tickets before fans could, and it’s knocked us on our asses.
no—we didn’t have a smart paperless ticketing system in place, and no—we didn’t have the pre-sale worked out very well, but this is simply because we’ve never sold anything out so quickly in our lives, and certainly never sold out anything as big as msg. i personally thought i was being bold in suggesting to our manager that we might sell it out “in 10 days”. that was my bold claim. everyone laughed at me. it’s us and liquid liquid. that’s it. we had meetings and meetings about the “other band” we needed to “fill the place”, as we were definitely considered to be nowhere near big enough (most of these bands were, like, way bigger than us, by the way).


we didn’t sell out hollywood bowl, and that was with both hot chip and sleigh bells. there was, i repeat, no expectation of our selling this out either. my main concerns at the time were things like ticketmaster charges—how they were going to make the tickets ridiculously costly… we never dreamed some shitbags would try to get thousands for our show. it’s insane.
but it happened. we all looked at each other in horror and sat there. i mean, aren’t you supposed to be psyched? your band sold out madison square garden! i live in nyc, and that’s the place. i saw the jackson’s victory tour there when i was a kid.
but there it was—the shit was gone, and people—not just people, but fucking proper fans—were pissed. nancy from the band tried to buy tickets. failed. i tried. failed. our best friends—not wanting to hassle us for guestlist spots tried—failed. i bought 2 tickets to my own show for 3 times the value like an idiot to see if real tickets showed up. my family got burned.
it was, to say the least, weird.


we tried getting another day at msg. i’d mentioned this before and most everyone kind of rolled their eyes at me. “2 madison square garden shows, dude? really?” i thought, well, just in case, you know? maybe some people would fly from other places or something. but msg, being one of the most popular venues on the planet, was unsurprisingly booked. (for the record: just because it doesn’t look booked on the internet, doesn’t mean it’s available. just saying.)


we tried calling our lawyer about the ticket scalping. “it’s legal”. no joke. it’s fucking legal. i tramped around with friends and band getting insane. i wanted to buy some expensive tickets and then track the seller down to beat him. i acted stupid. i did some classic, shakespearean vain “fist shaking”, etc. i made angry tweets. (i’m wondering now what on earth could be less effective and more of a first-world spoiled idiotic move than “angry tweets”? jesus.) i read conspiracy theories about how this was some cash-grab i orchestrated. i read that there are 50,000 seats at msg (i think our show will have 13k). i read that people had already bought flights, hotels. wanted to bring their kids. waited in the cold. i read that some people thought this was one of the reasons we were calling it quits (check). i read that this was a media stunt we planned. i read very funny comments from my friend aziz, one of which was taken seriously (that msg had given me 30,000 tickets personally for guest list). i read that i was giving all the tickets to my “new celebrity friends” (aziz is about the closest thing i have to a “celebrity friend”, and we met at terminal 5 watching hot chip when we were, well, not very “celebrated”). i read that we should cancel the show and put the tickets up on sale in a better fashion. i read that we should not do that, for fuck’s sake. i read that we should go fuck ourselves.
i read a lot of stuff, waiting to hear if we could get another night at msg, which seemed like the only option. but it failed. then i kind of sat in my house, trying not to worry for 20 minutes, and made a very, very good coffee.


i don’t know what people think about us, really. i’d love to say i don’t care, but i do. these people in my band—they are my very good friends. i love them very much. i love this band very much. everything about it. i’m very proud of it—of us, and i get defensive when people talk shit about us. i feel like we’ve been able to do something sort of special for 9 years: making music we like the way we like it. going on tour and playing, no computers or bullshit. no in-ears. a bunch of weird substitute teachers just trying to play something like the bands we loved growing up. whenever anyone said shit about us being sellouts or something, it stung, because i consider this entire thing—the band, everything—to be a communication between us and whoever is listening, and not just a thing unto itself. i remember being a fan and seeing bands, thinking “this is us. this is you playing and me/us watching” and how real that connection was, and i always wanted to honor that strange relationship with our band. so when someone felt wronged or hurt or outraged, it stung. it stung because, on some level, regardless of the “you can’t please everyone” stuff that gets rationally said to you when this shit happens, it meant that i’d failed. i’d failed to communicate. on the other hand, i’ve had my world turned upside down by a lot of amazing things people have said about us, or to us. i’ve met fans and made friends, and felt very strongly how that relationship actually works—and how we brought ourselves, each other, finally here, to where we play our last show—and biggest show ever—together, at this amazing place.


and then, this fucking ticket thing happened.


so to the point. you can’t make everyone happy, and i’m sure this will wind someone up somewhere (“but i paid $600 for one seat at msg!!!) or seem like some shitty “plan” to someone else (“they were gonna do it all along!!! it’s all a big retirement money plan to bilk the fans!!!”) or something else that someone who theoretically likes our band thinks (why are you trying to buy a ticket?? how could you even listen to a band that you think is capable of some of this shit!??) but we’ve come up with the best solution i can think of, as quickly as possible so as to deflate the market for those scalping scumfucks.


we’re going to play 4 shows at terminal 5 in nyc leading up to the msg show, and they will include most if not all of the songs we play at msg. the farewell run-up to the last dance. it’ll be the 28th, 29th, 30th and 31st of march. obviously we’re going to look seriously at the way we sell these tickets. not “paperless, (i’ve been advised that the “paperless” thing is apparently now illegal in ny… seriously—don’t ask me) but there are some ideas floating around that could be just as effective (though it’ll take a minute to get folks in the door.)


we’ll announce the shows officially early in the week, and tickets will be on sale soon after. we’re announcing all the shows at once, and if they don’t sell out, i don’t care. i just want to give people who actually want to see us a chance to see us. for a reasonable ticket price. and i want to drop the price of the msg tickets being sold by piece of shit scalpers.


oh—and a small thing to scalpers: “it’s legal” is what people say when they don’t have ethics. the law is there to set the limit of what is punishable (aka where the state needs to intervene) but we are supposed to have ethics, and that should be the primary guiding force in our actions, you fucking fuck.
and to everyone else: thank you. you rule. don’t let the shitbags win.
i feel like conan o’brien.
james"

 

Goddamn that's an awesome read


LCD SOUNDSYSTEM TICKETMASTER DEBACLE!

Get shut out like everyone else? I sure as hell did. As a result Twitter is BLOWING UP right now...follow all of the action right here

Btw...this is ALL on Ticketmaster...Murphy is the one who started the hashtag!