Freddie Gibbs aka the Baby Face Killa’s roots lie in Gary, Indiana, but the Midwest veteran sounds like he’s plucked from the tree of hip-hop’s most influential artists from various regions. The gangsta grit of Three Six Mafia sprinkled with the southern flair of Scarface, and lyrical prowess of Ice Cube are traits that make Freddie Gibbs extremely versatile in his craft.
Miguel lifted a packed crowd at The Anthem in Washington, D.C. to the stratosphere when his Ascension Tour stopped here earlier this week.
While Washington has had its share of “festivals” – Trillectro, Sweetlife, Virgin Mobile Fest – we’ve never, until this past weekend, really had something that’s specifically for D.C.
Staged in West Potomac Park adjacent to the Lincoln Memorial, the inaugural Landmark Music Festival brought the scale, along with the uniformity, of other more seasoned fests like Austin City Limits and Lollapalooza. That’s not surprising, as Landmark was thrown with veteran production company C3, now the third-largest production company in the U.S., working in conjunction with the Trust for the National Mall, who aims to fund their ongoing Landmark Campaign.
The National Mall faces more than $400 million in deferred maintenance on top of hundreds of millions of dollars in needed updates and sustainable improvements. Landmark Music Festival is helping us to build awareness and raise funds to meet the needs of our country’s most iconic, beloved and visited national park. – Landmark Trust’s MacKenzie Babb
The hope, of course, is that the iconic, beloved draw of the park itself will transfer completely to an event that is eventually regarded in much the same light. That's a mission that even the most jaded of music fans SHOULD be able to get behind, and as to the future success of the Landmark Festival, that remains to be seen. This year though, this is how things shook out.