Weezer

“Doors” - The CooLots

“Doors” - The CooLots

Sounds Like:

An eclectic mix of Jimi Hendrix and rhythmic soul

Why You Should Care:

Listening to the CooLots reminds you of the diversity and talent of the Washington, DC music scene. Straddling genres from rock to soul to alternative, the CooLots bring together powerful vocals with such emotion and energy that each track they put out has a distinct personality. The only thing you expect from this band is that each track will surprise you with its ability to personify the intersection of many genres in a cohesive way.

The opening track to their new album Rebirth, “Doors” begins with a guitar riff reminiscent of a Foo Fighters or early Pearl Jam song, then opens up with the vocals and powerful rhythm section that harness the power of nearly every member of this incredibly diverse and talented band. “Doors” talks about the power of doors to lock you in, or unleash you to the world. The CooLots attempt to do the same thing with their music — tempting listeners to try a new genre or mix of styles they have not heard before.


"Get Right" - Weezer

"Get Right" - Weezer

Sounds Like:

A return to the Weezer of the early 2000s

Why You Should Care:

Weezer’s 11th studio album Pacific Daydream is an ode to the band’s California roots, full of exuberant pop-rock that fans of the band have come to expect from the band, and a return to the production from their 1990s heyday. While some of the other songs on the album feel overglossed and primed for radio play, “Get Right” is a pleasant departure that hits the right balance

Throughout “Get Right” Cuomo speaks to a feeling of being alone and thinking about what might have been. While the lyrics take a darker and more contemplative tone, the upbeat tambourine, strong bassline, and Beach Boys-style backup vocals give the song the impact of a classic Weezer tune.

One thing is for sure. Weezer has not lost its ability to get a strong hook stuck in your head —  “Get Right” is a song you will be bopping along to long after it has ended.


Episode 84: Weezer - Everything Will Be Alright in the End

Episode 84: Weezer - Everything Will Be Alright in the End

In this week’s “bonus” podcast, we take Weezer’s latest album, Everything Will Be Alright in the End, to task with the help of DCist music editor, Tori Kerr. Is it the new Pinkerton, or is it just the same old latter day Weezer that we’ve grown to know and (some of us, maybe) love. PLUS we discuss the impact of Thom Yorke’s BitTorrent release on his fanbase, independent musicians and more. All of this and an ACTUAL bonus commentary from Weezer SUPERFAN Thor Slaughter (check the Show Notes) on Episode 84 of ChunkyGlasses: The Podcast!


A Love Letter To Weezer's Pinkerton

A Love Letter To Weezer's Pinkerton

Dear Pinkerton,

I love you.

I once briefly dated a girl who asked me what my favorite albums are, and somewhere near the end of the long list that rattled off, Pinkerton had made the cut. Upon hearing the album’s title, her expression went from interested to visibly disgusted, so I asked her why she had the look on her face. “Weezer is like the touch-stone band of every single insecure dude who’s had broken hearts ever since middle school.” she replied. An argument ensued, and somewhere in the fury of me trying to defend the album —not because I was offended she was calling me an insecure dude with heartbreak issues, mind you — but rather a call to arms in the defense of Weezer, the thought there might actually be a large amount of truth to the statement eventually crossed my mind.  

For those that don’t know the myth and legend that fuels the lyrical content of Pinkerton here’s the SparkNotes version. Weezer’s debut album made them an overnight sensation. They went from playing tiny clubs to filling out arenas. Suddenly the nerdiest kids were leading rock and roll life styles, having heinous amounts of sex, partying every single night and so on and so forth. Front man and chief songwriter Rivers Cuomo became so disillusioned with all of the above he decided to put the band on hiatus and go back to school at Harvard University. But not before he decided to finally have corrective surgery (he was born with one leg shorter than the other), the recovery from which forced him to walk with a cane and grow a beard. OK. He wasn’t forced to grow a beard, but you get the picture.

If that sounds pathetic, it’s because it is. Rivers went from being run on MTV every hour to being an awkward gimp that was too afraid to go talk to the Japanese girl in his writing class (see El Scorcho and Pink Triangle). But somewhere deep into his ascetic hibernation his heart “exploded” and he realized he just wanted to rock again. Suffering from paranoia that the bands success was due to studio tricks and witty music videos instead of the songs themselves though, Cuomo booted Cars’ songwriter Ric Ocasek from the producer’s seat and instead decided to produce the album that would become Pinkerton himself.


Painful, and painfully great


ROCKTOBER 2012: 1996 - SHOW ME THE POGS!


People age and some things change, but you know what hasn’t changed much since 1996? The Simpsons. Ok...the show hasn’t been as funny in recent years, hell seasons seven and eight, which aired in 1996 still hold up today as two of the greatest seasons of the show that Matt Groening ever produced. Just because the show may have overstayed its welcome and is showing its age, the characters are still ageless! Bart has been 10 for almost 25 years! The Monkees celebrated 30 years in 1996 their music is still as timeless today as it was back then. The original members of Kiss got back together and reapplied their makeup and haven’t removed it since (that’s probably a good thing.)

But I digress…Homer sure did meet some great musicians, particularly in the legendary episode “Homerpalooza”, where are favorite animated father found himself as a sideshow staple on the annual Hullabalooza tour. It was there he met his new friends like Billy Corgan and the rest of The Smashing Pumpkins. Sonic Youth appeared on a TV show for the first and last time, and Peter Frampton tried to show the public that his talkbox playing was still relevant. Spoiler alert: it wasn’t then, and probably still isn’t now.