Wham

Episode 255: Faith - George Michael [Discologist]

Episode 255: Faith - George Michael [Discologist]

By the late 80's, Georgios Kyriacos Panayiotou, known to the majority of the world as George Michael, had already seen the heights of fame with his group Wham. He had experienced the power that artists could achieve by uniting their voices with We Are The World, and played an integral part in the video revolution that was MTV.  

But the best was yet to come.

In 1987, Faith, his debut solo album dropped and changed the face of pop music forever. Unabashedly open in matters of the heart, sexuality, and reverence for the rich history of American R&B, George Michael's masterpiece didn't just top the charts, it changed them immeasurably for the better.

Join us as we dive deep into this musical milestone with the help of our friends Sarah Godfrey and Marcus Dowling,

It's a celebration. It's a memorial. It's George Michael's Faith


THE LIST for July 15th, 2016: A Peek Behind The Curtain

THE LIST for July 15th, 2016: A Peek Behind The Curtain

This week we published our 200th episode of Chunky Glasses: The Podcast. It was a long road full of...well...mostly beer, but the point is we got here by staying true to our "vision", just doing what it is we do, and believing in the power of weird.

In the spirit of that weirdness, this week's playlist is a look inside what has driven the podcast over the years, either directly - you may recognize some of these songs from our outro - or indirectly. In other words here's a glimpse into my head, a view that our crew knows well, that offers the clearest look at how and why we do what we do.  - Kevin


ROCKTOBER 2012: 1984 - Wake Me Up Before You Cut Footloose

By 1984 it was clear that this decade was going to be…different. Every single corner of pop culture had been pumped to the max with gaudy and glitz, gagged with a spoon, and otherwise left to die in a roadside ditch along Route Bad Taste. And music wasn’t excluded from this. In fact, along with the rise of MTV, it was in a large part responsible. As that network celebrated the very first Video Music Awards, multi-colored, gelled up fauxhawks roamed the wastelands in search of a synth fix; eager to celebrate anything that wasn’t disco, to ride that New Wave into a hypercolor sunset.  Yes, the world as we knew it then was in need of a savin’, and in 1984 that savin’ would come in a very deep, dark shade of purple.

Before we get to that though, a little perspective. 1984 was the first year that the Compact Disc was mass manufactured in the USA, blowing open the doors on a “digital” revolution that has now, almost thirty years later, run its course. Appropriately – or not if you consider the content – the first such CD to roll off of the assembly line here was Bruce Springsteen’s  Born In The USA, and it was but the first in a long string of albums by artists that either made their mark, or summited the peak of fame that year.

Consider that Bryan Adams, who followed up his minor hit Cuts Like A Knife, with Reckless, an album that spawned not just one, two , three ,four, five, but SIX hits on both the radio and MTV with one of those, “Summer of 69” ending up being one of THE defining songs of not just the 80’s, but an entire generation. And speaking of Tina Turner – she sang on Adams hit “It’s Only Love” – she had her own river deep to cross in 1984. Private Dancer was Turner’s return to the public after a messy and well documented split with husband Ike. Featuring a veritable encyclopedia of legendary artists, including Jeff Beck and a title track written by Dire Straits Mark Knopfler, it charted no three top 10 hits for the singer and put her, and her legs back on top of the world where she belonged.  But she wasn’t alone up there. No, there was in fact fierce, or at least perfectly groomed, competition.