Sylvan Esso stopped by The Anthem in Washington, DC and threw a dance party for 6k of their closest friends.
After the impossible highs that were reached in music in 2016, the question of how that could be topped would always weigh heavy on 2017, but nobody could have really predicted the year that was. Our nation, our home, shifted at long last towards the deep-seeded hatred, misogyny, and generalized loathing that had always hid just underneath the surface of our communities, our entertainment, our ART. Turns out that for many, the American way was a freeway to self-destruction, and in 2017 all lanes were suddenly open.
We all know about the disaster that was last week's Fyre Festival, but aside from providing Twitter with hours of good, old-fashioned schadenfreude, it raises a question: In 2017 have we finally reached peak festival? Marcus and Mauricio are joining Kevin in the basement to discuss.
On their 2014 self-titled debut, Sylvan Esso went a long way towards redefining what pop music SHOULD be in the modern age. Now Amelia Meath and Nick Sanborn are up to it again on their sophomore release, What Now. An exuberant exploration of love, the music industry and pretty much everything else, the electronic duo is hurdling over the sophomore slump and continuing on their path to total world domination.
PLUS! Seán Barna's first full length LP, Pictures Of An Exhibitionist, is almost here but we've got a taste of his latest single for you to dig into while you wait. "Slutty folk" never sounded this good.