A quorum of Chicago’s goth and industrial scenes descended upon the sold-out Bottom Lounge on The Devil’s Lettuce day for a tight hour from Los Angeles noise outfit HEALTH.
On their seventh album (and first in five years) The Hold Steady isn’t so much “We’re BACK mother****ers!” as they are “Alright. Alright. Alllllright”-ing their way back into our hearts.
Thrashing Thru The Passion finds the band sporting a slightly looser and expanded sound (horns!) and songwriter Craig Finn’s druggy, party-filled universe, a little older, a little beat down, but no less full of life. Join us as we dig into all of the good, bad, and magical highs found on the “return” of one of America’s most celebrated bands.
Sleepwalkers 2014 LP Greenwood Shade was, and remains, one of our favorites of the past few years. Finally five years later their follow up, Ages, is here and it was well worth the wait. While Shade wore its shagginess on its sleeve, Ages sees brothers Michael and Austin York and co-conspirator Alex DeJong polishing up the edges and delivering the power-pop masterpiece we deserve just when we need it the most. Get ready to experience a record that surprises at every turn as Kevin and Eduardo go IN on this instant classic.
PLUS! LA supergroup Grand Canyon has a new EP out, and fans of Tom Petty, Fleetwood Mac, and [checks notes] Guns N’ Roses (?) are going to want to check them out. We’ve got their latest single “Yesterday’s News” to get you acquainted.
By all accounts, Bruce Hornsby is having a hell of a year. But if you've been paying attention at all, that's been pretty much every year for the legendary pianist. In the 33 years since fame first found him on 1986's The Way It Is, Hornsby has been a pop star, jazz titan, Grateful Dead member, bluegrass provocateur and more. Suffice to say, this Virginia boy "done good."
Bringing all of that history to the stage is no small feat, but at his recent stop at the Pabst Theater in Milwaukee with his band The Noisemakers, Hornsby delivered a dream setlist that spanned from his latest LP Absolute Zero all the way back to his first album and back again with some Hornsby penned (but not recorded) hits thrown in for good measure.
Chris Rosenau (Collections of Colonies Of Bees, Volcano Choir) and Nick Sanborn (Sylvan Esso, Made Of Oak) have traveled in the same creative circles for years now, but it was an off-the-cuff improv set at the inaugural Eaux Claires fest that has led to one of the most powerful releases of 2019, Bluebird. The open window and doors of the small North Carolina studio that Bluebird was recorded in gives the EP a sense of place in the world, but it is the magic weaved between Rosenau’s guitar and Sanborn’s electronic wizardry that pulls the listener wholly out of time and space into a moment of creation that is unlike anything you’re likely to experience this year.
Sixty years on, there continues to be no other festival that promises unity and unforgettable moments as well as Newport Folk Festival does.