HYPE has always been a part of the music/entertainment industry, but in 2018, have we gone too far? Increasingly, it's not enough anymore that an artist delivers a few great hooks. To succeed they have to be the greatest of all time, the savior of the music industry, or, even worse, the voice of a generation, all often without even having a single album under their belts.
On our latest episode, our friends Philip Basnight (Broke Royals) and Rafa (Rafa's One Man Band, Saduardo's actual brother) are joining us for a frank discussion about how we consume, market, share, and celebrate music in the modern era.
The days of stadium rock would seem to be mostly behind us, as the bands that once filled those huge venues wind down, either finishing their careers or moving on to smaller spaces as the audiences dwindle, and few new artists find their way that far up in the ranks. Last year, U2 proved themselves to be one of the few bands still capable of carrying a stadium-sized venue, as their massive 30th anniversary tour for The Joshua Tree packed FedExField and similarly big venues elsewhere across the country. But even U2 has come to recognize the value in closeness to their audience, and their latest tour production for their latest album, Songs of Experience, follows in the footsteps of their last regular tour for 2014’s Songs of Innocence in bringing the band as close as possible to as many of their fans as possible, despite the still large arena spaces that they’re playing.