We’ve run our mouths from a basement in Washington, D.C. for four hundred episodes now, but sadly it is time to say goodbye.
Please join us for a bittersweet final hang in the basement with the people that we hold most dear saying goodbye to this chapter the only way we know how: Talking about Boston’s Third Stage.
Thanks for listening. Y’all are the goddamn best.
Hearing Colter Wall’s voice--described as “Johnny Cash’s [voice] in the morning” — coming out of his wirey, 23-year old frame is surprising and exhilarating the first time you hear it. The road-weary tone and rustic storytelling on his most recent album Songs of the Plains are also remarkable given the current state of popular country music. Colter Wall’s sound is a throwback that has launched him into a constellation of contemporary country artists (Jason Isbell, Sturgill Simpson, and Chris Stapleton) linked by the producer of Wall’s first two full-length records, Dave Cobb. Cobb has said that his work is driven by unique voices that can carry a story. At Colter’s 9:30 Club his voice was clearly the main attraction.
On paper, an album about heartache, anxiety, and ancient aliens doesn’t seem like something that would work (or should even exist), but on Pyramid Theories, Mink’s Miracle Medicine are singing about those themes and more resulting in their best release to date.
We’re catching up with the Melissa Wright of this Appalachian-based duo to dig into the trials of life as a creative, edibles, woodworking, aliens, and how their remarkable new album came to be.